The title comprises the first line of the song. The five voices enter one at a time with a slow sigh motive – some rising a half step and returning, others dipping down a semitone before coming back to the original pitch. Out of this melodic material Weelkes weaves a mournful harmony with longing dissonances and despondent minor progressions. The music effectively captures the anguish of someone overwhelmed by worry.
But the next line, "if Music do not match thee," offers hope. My cares will weigh me down unless music is there to ease the burden. The melody begins with an upward movement, the harmony shifts to major, and the shorter rhythmic values picks up the pace. A few measures later the singers even break into a short "fa-la-la."
The optimism is short lived, however, for in the next line, "So deadly dost thou sting me," the mood shifts back to despair and pain (with an extremely painful dissonance of f against f# – do I dare perform that?). The piece ultimately ends on a positive note, including the return of the "fa-la-las," yet I sense that this is not a complete victory – a triumph tempered by the losses incurred in the battle. The "fa-la" refrain is too short and restrained to completely wipe out the memory of the previous pain.
Weelkes' setting of this short poem is direct, yet with wonderful touches of subtlety. It presents several challenges for my high school group. On the mechanical side, the chromaticism, shifting modalities, and dissonant harmonies can create intonation issues. On the interpretation side, it is critical to bring out the most important part at any particular point. It is also a bit of a trick to make the mood switches convincing while not over-playing them.
As wonderful as the music is, the text is equally appealing. Music is the antidote to worry and pain. How many times have I sought refuge there, losing myself in sound, making sense of the world through the logic of harmony and form, and easing my emotional strain by riding the emotions of the music?
For how many people has music been such a balm? It must have been so for Weelkes. What cares disturbed his sleep at night? As we sing "O Care" we share the comforting power of music with him.
Here are the lyrics to both parts of "O Care":
O Care, thou wilt despatch me,
If music do not match thee. Fa la.
So deadly dost thou sting me,
Mirth only help can bring me. Fa la.
If music do not match thee. Fa la.
So deadly dost thou sting me,
Mirth only help can bring me. Fa la.
Hence, Care, thou art too cruel,
Come, music, sick man’s jewel. Fa la.
His force had well nigh slain me,
But thou must now sustain me. Fa la.
Come, music, sick man’s jewel. Fa la.
His force had well nigh slain me,
But thou must now sustain me. Fa la.
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